A Sprinklage of Dinklage Makes Cinema *Sparkle*!
Props must be given to the spouse for that title. If it isn’t obvious whom this is about, I am referring to the recent (and richly deserved) Emmy winner, Peter Dinklage. I had a rant mentally scripted if he didn’t win that award. It involved a fantasy of him storming the stage à la Kanye West, grabbing the statue from the undeserving winner, and whacking him in the knees à la Tanya Harding with it. What am I talking about? Bah! He wouldn’t à la anything, he’s above aping those cretins. A feral, baritone roar would make the arena quake as he came out swinging a mace in a circle of death above his head, barreling towards the idiot judges who deemed him unworthy of such accolades. If you diss the Dink, you enter a world of pain.
I have seen him in only a half-dozen performances, but every one has been terrific and completely engaging. His intense gaze, strong features, and mellifluous voice, command attention. Unless it is a prominent feature of the character, it is easy to forget that he is actually a dwarf. Just as I don’t focus on the fact that John Lithgow (another favorite), as an example, is a very tall man; I am riveted solely by his acting. Warwick Davis is a fine actor, but I always am aware of his stature. As for the Dinkster, it is no Napoleon Complex; this man is a strong actor with a powerful presence. Without further ado, allow me to bestow upon you a sprinklage of Dinklage:
Look at those penetrating blue eyes. Hmm.
He, um . . . wow. He works out.
Excuse me for a moment. . . .
* * *
All right! I’m back! Sorry about that momentary interruption. Those hypothetical deserted islands don’t populate themselves. Ahem. Onward.
Back to my main point: Every show or movie I have seen him in is exponentially more entertaining because of his presence. Ergo, Peter Dinklage makes cinema better. Allow me to present examples to support my claim.
The Station Agent
This was the first time I experienced Dinktstacy. It was a subtle movie in ways, and in a lesser actor, the spirit and comedy of it would have been lost on the audience. He didn’t play an immediately likable character; he wanted to be left alone with his thoughts and his trains. Eventually, he became a person with whom the audience could identify. Perhaps it was when he leapt into a ditch to avoid an oncoming vehicle. That scene garnered the biggest laugh, yet, it showed a more fragile side to his stoicism in a very humorous way, and that exterior slowly dissolved as he allowed outsiders into his world. It was completely believable that women were attracted to him. Not only is he handsome, he is also a person we can understand. It took Peter Dinklage to make this movie work as well as it did. Sorry, Warwick. You must stay on your side of the pond.
I had absolutely no idea that the disembodied, menacing voice on the phone was Peter Dinklage. This character was all about his dwarfism and over-compensation, i.e., Napoleon Complex, by being a royal dick. The main character mistaking him for an elf was the ultimate insult that had to be punished with physical violence. This was a very funny movie, but the image of him running with bloodlust vengeance across the conference room table to attack Will Ferrell makes me giggle every time I think about it. That scene pushed the movie to a higher plane for me.
Game of Thrones
Really, what needs to be said about this? The series is excellent, but for me, I found myself hoping a Tyrion-less scene would end so that one with him could begin. What better way to introduce such a complex character than showing a close-up of him slovenly swilling wine as he is getting a blowjob from a prostitute? That was a rhetorical question. He upset expectations by revealing the man as the most complex and ethical of the Lannisters. Oh yeah, and his British accent was pitch-perfect. Sorry again, Warwick. You just wouldn’t have been able to pull this one off.
The Last Rites of Ransom Pride
I saw this movie on my DVR queue, and was ready to ask the hubby why he recorded that. Then, I saw that Peter Dinklage was in it. No further explanation was needed. It had an interesting supporting cast, but as I got close to halfway into it, I started to wonder why I was watching it. There was nary a Dinker to be found. This movie was a real chin-scratcher, and I felt myself reaching the same level of frustration that I did while I watched Eraserhead. Not even the presence of the two biggest living bad-asses of country music in Dwight Yoakam and Kris Kristofferson could raise me to an acceptable level of enjoyment. I really was ready to hit stop and delete the recording. Then, this appeared:
Okay, we were getting somewhere. He was only in a few scenes, but again, he was my main focus. What a bizarre character he created. I still wasn’t crazy about the movie, but Peter Dinklage did make it worth watching for me.
Death at a Funeral (American version)
I haven’t seen the original, British version. I hear it is far better than this one. There really was some funny stuff in it, especially some of the punch lines Chris Rock delivered. However, I see this as a skillful throwaway for Fair Dinkums. His homosexual was not over-the-top. He was very calm as he delivered his blackmail ultimatum. As ridiculous as the premise was, I found myself believing that he would follow through on his threat, albeit in the most genteel fashion. I actually was disappointed when I thought his character croaked. His response as he resurrected while in the coffin made me double over in hysterics. I have to see the original to find out if he played the character the same way. I doubt it; British humor has a different flavor to it.
I just looked at his IMDB; he has been in a lot of stuff. I want to see everything to further my assertion, thus proving my theory that: A Sprinklage of Dinklage Makes Cinema *Sparkle*. I long for the days of Blockbuster and Hollywood Video. I could walk to the nearest location, whip out my membership and credit cards, and go on a Dinklagian film fest. Sadly, Redbox does not fully appreciate his sublime Dinktacity. I can’t bring myself to order Netflix. Despite his extensive resume, I won’t commit to ordering at least three items every month. Eventually, I will run out of Dinktation. That would be a Dinktastrophe of epic proportions.
There is a movie currently in production called Knights of Badassdom. Mr. Dinklage’s character is named Hung. Can you think of three more compelling reasons to see that movie? Great title, great character name, and of course, the Dink-o-matic is starring in it. I am so there when it comes to the theaters.
Posted on September 20, 2011, in Parody, Popular and tagged 2011 Emmy, Comedy, Death at a Funeral, Elf, Game of Thrones, humor, John LIthgow, Knights of Badassdom, Peter Dinklage, pop culture, The Last Rites of Ransom Pride, The Station Agent, tyrion lannister, Warwick Davis. Bookmark the permalink. 2 Comments.